Change It Up Editing

I'm Candace Johnson, and I love words. Especially yours. Let me help you say it the way you mean it!

Archive for the tag “writers”

Writing Fiction: #AmEditing Tips From @ChangeItUpEdit

Thanks to paranormal romance author Shonda Brock for sharing a Q&A about me on her website. Please join us there to learn more about editing … and about me!

Shonda Brock Paranormal Romance Author

Editing tips from Candace Johnson

Please welcome Candace Johnson from Change It Up Editing and Writing Services.

Candace Johnson is a professional freelance editor, proofreader, writer, and ghostwriter who works with traditional publishers, self-published authors, and independent book publishers in both fiction and nonfiction.

We asked Candace to help us demystify the editing process for new authors. She also shares tips on how to find the right professional editor for your book.

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Labor of Love

Thank you, Tricia Drammeh, for this moving tribute to writers.

Most writers start with an idea that won’t let go, imaginary friends who insist on having their stories told, a wish that maybe–just maybe–the fruits of our labor might bring joy to others. In most cases, the new writer might harbor a tentative hope that they might achieve the ultimate dream–the big-time agent, the major publisher, the movie deal, and enough money to live comfortably. But there are no guarantees. Though we might hope for the best, we realize our books might never see a book shelf. But, yet we persevere. (Read more at Labor of Love.)

Reminder: 3 Days Left—Enter to Win Free Editing

Just a quick reminder that through Saturday, December 1, 2012, everyone who comments on one of my blog posts or website pages or refers to one of them in his or her own blog post will receive one entry for a random drawing to win some free editing for his or her project.. If you sign up to follow me, you’ll receive two additional entries. (Current followers: you automatically start out with two entries.) The prize? I’ll copyedit (line edit) up to 1,500 words* of your projects for free.
Read more…

Giving Thanks for Writers with Free Editing

Image courtesy of Stuart Miles at FreeDigitalPhotos.net

Black Friday, Small Business Saturday, Cyber Monday . . . they are all days to celebrate writers. In fact, every day is an occasion to celebrate writers, and I thought of a way to show my appreciation for them and offer one lucky writer the opportunity to win some free editing for his or her project.

Beginning today, November 24, and continuing through Saturday, December 1, 2012, everyone who comments on one of my blog posts or website pages or refers to one of them in his or her own blog post will receive one entry for a random drawing. If you sign up to follow me, you’ll receive two additional entries. (Current followers: you automatically start out with two entries.) The prize? I’ll copyedit (line edit) up to 1,500 words* of your projects for free. Read more…

The Fear of Making a Mistake

Writer's Block 1

Writer’s Block 1 (Photo credit: OkayCityNate)

“Nothing will stop you being creative so effectively as the fear of making a mistake.”

Writer, actor, and tall person John Cleese is my inspiration for today’s blog. (And thanks to Jon Winokur at Advice to Writers.com for the tweets that got me to thinking about this.)

When I began this blog, I set a goal for myself to blog twice a week about something that is relevant to writers. That sounded easy . . . except “blogging day” keeps coming around. (“Didn’t I just post a blog yesterday?”)

How difficult can it be to write something that is interesting and helpful for writers and then polish it up every Wednesday and Sunday?

How difficult? That depends on the week, as every blogger who reads this post can attest. My hat is off to those bloggers I follow who manage two, three, or even four posts a week—you are a true inspiration! But as John Cleese said, the fear of making a mistake can keep even the most prolific writer from actually putting words on paper.

My personal crucible is the desire to write something that is practical, informative, interesting, and so good that everyone who reads it wants to follow my blog and share the post. Because I’m hoping to appeal to writers who might someday need editing services, I feel the need to be extremely careful—to not make mistakes—and that really can stifle the creative process.

So my advice today to every writer who reads this, and most especially to myself, is

 Just Do It

If you’re one of the thousands of writers participating in NaNoWriMo this month, and you find yourself spending too much time coming up with the perfect word or a character name that feels right, make a pledge to yourself: no matter how much editing you might need to do later, get the words out now, because you can always come back and polish. Don’t wait for the right time or the right mood; if you have something to say, write it down—just do it!

Pulitzer Prize-winning author Richard Rhodes had this to say:

“If you’re afraid you can’t write, the answer is to write. Every sentence you construct adds weight to the balance pan. If you’re afraid of what other people will think of your efforts, don’t show them until you write your way beyond your fear. If writing a book is impossible, write a chapter. If writing a chapter is impossible, write a page. If writing a page is impossible, write a paragraph. If writing a paragraph is impossible, write a sentence. If writing even a sentence is impossible, write a word and teach yourself everything there is to know about that word and then write another, connected word and see where their connection leads. A page a day is a book a year.”

So yay for me—this is ready to post tomorrow, and it’s only Saturday night! Heck, I’m going to go completely crazy and post it early. Not that anyone else will notice, but I’m just happy to be writing. What about you?

Happy Writing!

—Candace

 

Related links:

http://www.kmweiland.com/images/Manifesto.jpg

http://meghanward.com/blog/2012/11/02/nanowrimo-a-different-call-to-action/

http://www.thecreativepenn.com/2009/01/09/time-to-write/

http://catherineryanhoward.com/2012/10/22/nanowrimo-im-only-going-to-say-this-once-okay/

http://www.copyblogger.com/become-a-better-writer/

http://chillersandthrillers.com/2012/11/17/nano-day-16-procrastination-station/

 

 

10 Steps to Becoming a Better Writer

I saw this poster today and thought it was some of the BEST advice I’ve read–let me know if you agree! Get the link for a downloadable poster and read the article at http://www.copyblogger.com/10-steps-to-better-writing/

 

How a Professional Editor Can Help You Get Published: Copyediting

Image courtesy of acclaimclipart.com

This is the second installment of an occasional series about freelance editing services. I wrote previously about developmental editing; this time I’ll share some thoughts on copyediting (sometimes spelled copy editing), the second of three vital steps in the editing process.

So what is a copyeditor, and why do you need one? An article on About.com puts it succinctly: “Copy editors are the grammatical gatekeepers, so to speak, of the media world. They read over stories—or, as the content is called in industry terms, ‘copy’—and check for everything from typos to errant commas.”

Copyediting is more than just checking to be sure a writer follows grammar rules. The copyeditor’s task is to finesse a writer’s prose so that it observes all the conventions of good writing, and also verifies proper syntax, word choice, spelling, punctuation, adherence to the publisher’s style guide or outside guides such as The Chicago Manual of Style or the Associated Press Stylebook. In addition, the copyeditor checks to be sure the text flows and is accurate and clear, checks basic facts, flags potential legal issues, and as another blogger writes, “copyediting is like pulling out your magnifying glass to look at the small details of the writing. Copyeditors look at each paragraph, each sentence in that paragraph and further still, each word in the sentence.”

(For those of you paying attention, the quote above has an error that should have been caught by the copyeditor—if you see it, please leave the answer in “Comments”—and no peeking at other people’s answers! I’ll post the correct answer in my next blog.)

As the book packaging professionals at The Book Couple (http://www.thebookcouple.com) put it, “A good copyeditor brings a renewed sense of objectivity to the project, which is important for pinpointing any remaining issues that the author and [project] editor are too close to see.” In the first step of the editing process, the developmental editor looked at “big picture” issues, but the copyeditor is more concerned with line-by-line details. Here are a few examples of issues a copyeditor will flag:

“His belligerence would express itself if the child hesitated or resisted in any way.”

(The problem: belligerence doesn’t express itself, belligerence is something that is expressed by someone. This is an example of passive writing, and is a common error a copyeditor will note and correct.)

“I had a lady who was a teacher and she was profoundly ill.”

(First problem: “I had a lady” is nonsensical. This should be rephrased as “I had a female patient.” Second problem: there are two independent clauses in this sentence that should be separated by a comma: “I had a lady who was a teacher” comma “and she was profoundly ill.” Or better yet, “I had a female patient who was profoundly ill,” which is a more sophisticated way of stating these facts and more in line with the overall professional tone of this manuscript.)

Please subscribe to this blog for weekly examples of common errors and how to correct them. You’ll learn a lot, I promise!

There are numerous ways a writer can and should self-edit; when an article, manuscript, or web content is submitted for publication, the writer should always try to have it as free from error as possible. But none of us can be experts are everything, and no matter how well written a manuscript is, it often needs more help than what another writer or a friend can offer. Writers are often amazed at the amount of help a good editor offers; published authors who have already been through the process understand how valuable an editor is to the success of their work.

If you have a great idea but don’t know how to organize it into a book or article, or if you’ve written a draft and want to be sure it is well-ordered and doesn’t drift off somewhere it shouldn’t, or you have a web post due and you’re a little rusty about all those grammar rules, consider hiring a professional freelance editor. A professional editor has an objective viewpoint and will be honest with you about the many ways you can improve your manuscript—yes, even when you think it’s perfect, you’ll be surprised at the things an editor will suggest that never occurred to you.

And the best advice of all: find an editor who will work as your partner to help you say it the way you mean it.

—Candace

 

How a Professional Editor Can Help You Get Published: Developmental and Substantive Editing

Image courtesy of acclaimclipart.com

Writers are often too close to their own writing to be objective. After spending hours trying to get a concept or dialogue “just right,” it is difficult to know what should stay and what should be cut. Even after you’ve self-edited, had your friends critique your work, and perhaps even asked a friend who is an English teacher to take a look, an objective and professional opinion from a professional freelance editor is the best way to identify what is and isn’t working.

No matter how well written a manuscript is, it needs more than what another writer or a friend can offer. Writers are often amazed at the amount of help a good editor offers; published authors who have already been through the process understand how valuable an editor is to the success of their work.

If you have a great idea but don’t know how to organize it into a book or article, or if you’ve written a draft and want to be sure it is well-ordered and doesn’t drift off somewhere it shouldn’t, consider hiring a professional freelance editor. A professional editor has an objective viewpoint and will be honest with you about the many ways you can improve your manuscript—yes, even when you think it’s perfect, you’ll be surprised at the things an editor will suggest that never occurred to you.

Scott Norton, an editor at the University of California Press and author of the first full-length handbook ever published on the subject of developmental editing, writes: “For our purposes, developmental editing denotes significant structuring or restructuring of a manuscript’s discourse. The DE’s role can manifest in a number of ways. Some “big picture” editors provide broad direction by helping the author to form a vision for the book, then coaching the author chapter by chapter to ensure that the vision is successfully executed. Others get their hands dirty with the prose itself, suggesting rewrites at the chapter, section, paragraph, and sentence levels. This hands-on approach is sometimes called substantive editing or line editing.

This important function is not meant to replace self editing; whether you engage an editor before or after you begin writing, developmental editing is synonymous with The Big Picture. Norton goes on to say:

“From this perspective, stylistic intervention alone is not ‘developmental.’ To be sure, there are cases in which a manuscript’s organization is sound but the tone so pervasively wrong that virtually every sentence must be recast. Severe as these problems of tone may be, they can usually be handled by a high-powered copyeditor—and those that can’t are beyond the reach of editing, requiring instead the hand of a ghostwriter or coauthor. Nevertheless, most manuscripts with structural problems have stylistic lapses as well, and DEs are often asked to fix both kinds of problems. . . .”

Developmental editing (also called substantive editing, heavy line editing, structural editing, or book doctoring) is the first step for many authors on their way to having their work published. If you are a first-time author, don’t make the expensive mistakes by hoping an agent or publisher will share your vision, even if your manuscript isn’t in top shape. Do your research and find an editor who will work as your partner to help you say it the way you mean it.

—Candace

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